A.A. Reinecke’s latest fiction piece, on September and garages.
A story from Alan Xu.
A anthology of art from (young) women around the world. Check out Tunnel’s global reach!
“You get old and older and you turn wood eventually, in death. There is no Resurrection or Redemption—none of it.”
Alexandra lulls us back into flash fiction.
Words and Photo by A.A. Reinecke By the age of sixteen I had a will that could’ve sprung only from the conception of a particularly well-traveled child. I wasn’t actually well traveled—most every airplane ride of my youth was between some state and Massachusetts—but my father raised me in an America balanced somewhere between a tray table and a pack of salted peanuts. It was June and hot and Trip and I were on a flight home from Minnesota, our last one together. “Got anymore snacks?” Trip said. “Pretzels?” I said. “Just not raisins.” “Whatta you have against raisins?” Trip sipped his ginger ale, “I’ve seen more raisins then Sloane Colby.” “That the girl whose father—” “Yeah, manufactures ‘em or something,” he said. He wore a particularly unattractive green sweater and close-mouthed amusement. “Races on?” Trip shoved three pretzels in his mouth, “Belmont at four and—” “You betting today?” “Yeah,” he said. “You see the McAlister’s? Racing family, you know. Spent six mill last year on breeding. There to the left. And not Arden. Kick myself …
Words and Photo by A.A. Reinecke The word “yard sale” draws, to most, an image of dust bottomed glassware; to the soft of mind it conjures prospect of silverware to reveal, with lye and metal wool, the initials of a president’s cousin or another man of once-removed significance. To John Brady, the worth of whose brain had been estimated—by a small, but by all means reputable newspaper—at the sum of four million and seventy five thousand dollars, it meant a particularly green afternoon in Poughkeepsie, New York. Karen’s was a good house with a wide lawn, a brick exterior and a tennis court made of imported clay. She had a folding table open on the cement of the front walk up; over her face sat the effect of hastened dissipation. “Brady,” she said, when he approached the lawn, “The million dollar brain.” Brady stopped at the table. His nephew stood at Karen’s legs with his six year old palms tight to her jean-clad calves. “Hey Bumby.” Bumby clung tighter. “Say hi, Bumby.” “Where’s Dad?” said Bumby. …
Jasminne Morataya’s short story: “‘I know. It’s just that I think you need me,’ and it is in that moment that Ramiro becomes impossibly old.”
(A Love Story) Words by Jasminne Morataya Images by Brandon Yung She (the giant loser) possessed dumb vindictive horse eyes. They were incredibly round and emitted a faint, possibly supernatural light. In life she (the pathetic child nihilist) was vivacious and bright like a fresh cabbage and always quite hopeful. This woman (this stunted brainless goblin) did not realize that she (the worst person to ever live) was condemned to lose forever and ever in a series of increasingly painful circumstances, a fact made more merciless because it was all the result of a single decision that could have easily been avoided. Each loss compounded the subterranean self-hatred in her bloodless beating heart, a feeling she (the shit smeared on the walls of a poorly maintained high school restroom) would never be able to express in any sort of language except the secret vestigial one where she (a flaccid micropenis) went to the grocery store and cried automatically every single time the misting system cooled the produce. At the end of the day it didn’t even …
Tunnel hosted its second open mic event at SPACE Art Center, to hold space for one another’s experiences and explore the “molting” nature of transitions. Somi Speaks: This is the third and most likely the last open mic event I’ve helped organize for high school students. Thank you forever to SPACE for hosting the open mic, providing an outlet for young voices, soliciting free pizza for the event (!!!), funding the printing of the zine, and everything else that you do for the arts community. Thank you forever to every person who stood up and shared their work and let us take a peek into your personal space. It was such a special night for me and I always feel so privileged to bear secondhand witness to your experiences and words. Also, a brief apology for my nervous energy leading up to the event: I’m working on being a more relaxed host. The Zine The Crowd