The only judicious ranking system I could think of.
America loves to watch beloved dogs die. From Marley & Me to Where The Red Fern Grows, it seems like we just cannot stop killing man’s best friend on screen in the most heartbreaking ways imaginable. But what about those movies – and hear me out here – in which the dog doesn’t die? What about the ones in which dogs are not passive victims but heroes, winning sports championships and performing feats of great athletic prowess? The five-part cinematic saga of Buddy the canine jock is made up exclusively of those films, and they are conveniently ranked from worst dog sports film to best dog sports film below for your viewing convenience. 5. Air Bud: Spikes Back The worst film in the Air Bud film franchise is also the most unrecognizable; virtually no actors from the original film is present, including Buddy the dog, the humor is lifeless and talking-parrot-based, and the punctuation of the title makes no sense. To top it all off, all of the volleyball stunts are accomplished with trick shots …
The spookiest (and sleaziest) films that horror cinema has to offer
Writing from the University of Iowa’s Between the Lines program.
buried and unburied photos of friends, Ohio, and friends in Ohio
It’s hard to be a horror fan in today’s wintry scary movie climate!
“She’d have a gin and tonic and stare into the carpet as though she’d found God in it.”
The best and worst of dog movies. By Joey.
Punk is really more of a catch-all genre term than a unified sound; everything from Black Flag to The Clash to Television falls under the umbrella, but you’re unlikely to confuse any of those radically different bands for each other. If anything, punk is defined by an attitude more than any specific sound: it’s defiant, primal, and wholly cathartic. These are 11 of the best films about punk that embody that ethos of liberation through rock n’ roll. Jubilee (1978, Derek Jarman) Derek Jarman was an iconoclast in everything he did; never one to make a conventional film, his work stretches from Blue – a solid blue screen with him providing voiceover for 90 minutes – to The Last of England – an impressionistic vision of the apocalypse with poetic narration in place of a plot or dialogue. Jubilee is decidedly less extreme than those two films, but it’s still far from box-office-friendly. It’s hardly heavy on narrative, and what plot there is is pretty bleak; the story follows Queen Elizabeth I as she time …
Words by Somi Jun, Hanna Hall, Amelia Anthony, & Alexandra Reinecke Somi Jun: When I was in first grade, I thought history was over. I was a child in 2003 and had burned through Harry Potter and the Sorcerer’s Stone, the first book I really read to myself. I was decades removed from the destructive power of politics that had defined the 20th century. Those events called the World Wars and the Great Depression and the Cold War and even 9/11 had no place in my conscious memory. The Iraq War started, but I had no idea where Iraq was on a map. The midnight arguments between my parents sprung from the results of the Great Recession, but I had no way to make that connection for myself. I remember seeing gas prices rise. I remember my mother pulling me aside to tell me that her in-laws, my father’s side of the family, were money-hungry snakes. I remember making jokes with other children about George W. Bush, but not recognizing his face on magazine covers. I knew to …